Do We Need a Turing Test for Activist Art Sholette

Additional writings by Gregory Sholette tin can be found on his blog

Welcome to Our Blank Art World

Video presentations at Sholette YouTube Channel

and other writings on on Academia.edu

NFT Fever (updated 2022)

Fine art Worker, Art Worker, What Take You Done? (2021)

Boicot, barricadas e instituciones paródicas. De la crítica institucionalizada a las paradojas de la resistencia en united nations mundo del arte desnudo / Boycotts, Barricades, and Mock-Institutions: From Institutionalized Critique, to the Paradoxes of Cocky-Organized Resistance in a Bare Art World (2021)

Memes Are Dominating Attention Spans…(2020)

Coming Home To Roost: How A New Wave of Institutional Critique from Deep Inside the Institution is confronting our Blank Art World (2019)

Optimism of the Will: Global Resistance to Neo-Reactionary Nationalism (FIELD JOURNAL # 12/13 2018)

Dewey, Beuys, Cage and the Vulnerable, Yet Utterly Unremarkable Heresy of Socially Engaged Art Education (2018)

Against Fascist Banalities…The Futurist Manifesto 110 Years (2018)

Activating the Archive From Below at a Moment of Crisis (2018)

Practice We Demand a Turing Examination for Activist Fine art ? (2018)

Art, Debt, Oversupply – PANIC! (2017)

Art After Gentrification (2017)

Merciless Aesthetic…A Response to Boris Groys (2016)

Encountering the Counter-Establishment: From the Proto-Academy to Dwelling house Workspace Beirut* (2016)

Traces in the Dark (2015)

V Glossary Definitions from the Fine art & SOCIAL JUSTICE WORKING Grouping VERA LIST Middle FOR Fine art AND POLITICS (2015)

Occupy Arts Assistants Or How to "Shadow Curate" in Rural Scotland (2015)

Art Out of Articulation: Artists' Activism Before and Afterward the Cultural Turn (2015)

A User Is Haunting the Fine art Globe (2015)

On Maidan and Imaginary Annal Kyiv, Spring 2014 (2014)

fifty Shades of Red: Enterprise Civilisation and Social Practice Art, a Love Story? (2013)

Gregory Sholette: Squatting Bruce Hairdresser's Sentences on Littoral Fine art (2013)

Gregory Sholette reads his essay: 12 Notes on Collectivism and Dark Thing, radioapartment22, Rabat (2013). (sound)

Later OWS: Social Practise Art, Abstraction, and the Limits of the Social (2012)

OCCUPOLOGY, SWARMOLOGY, WHATEVEROLOGY: the metropolis of (dis)order versus the people's archive (2012)

Lets Exercise Information technology Again Comrades, Lets Occupy The Museum (2012)

Speaking Clown to Power: Can We Resist the Celebrated Compromise of Neoliberal Fine art? (2011)

Return of the Diminutive Ghosts (2011)

Not Cool Enough To Catalog (2011)

Book Review: Stake Riders: How a Band of Radical Outsiders Briefly Stole the New York Urban center Art World (2010)

Mockinstitutional Aesthetics: Building an Art Academy From Below? Stockyard Establish (2010)

Artists and Experimental Movie theatre: A Hundred Years of Infatuation and Exchange (2008)

Third Text, Book 22 Outcome 5, Special Issue " Whither Tactical Media" edited past Greg Sholette & Gene Ray (2008)

Gifts of Resistance (2008)

Country of the Union: Gregory Sholette on Creative Labor (Fine art FORUM 2008)

Gregory Sholette Interviewed by the Camel grouping (2008)

Snip, Snip…Blindside, Bang: Political Art, Reloaded (2008)

Swampwalls Dark Matter and the Lumpen Army of Art (2008)

Trickle Downwardly Bohemia and the Anti-Backer Fine art of Ed Eisenberg (2009)

Later on Tilted Arc: Site Specificity in an age of Enterprise Culture (2007)

History that disturbs the present:An interview about REPOhistory with Greg Sholette (2007)

Arte y revolucion in the historic period of enterprise civilisation (2007)

Questions from an Creative person Who Reads (and Thinks, Writes, and Speaks) (2007)

Taking Back the Dollar: Alternative Economies: Vera Listing Institute (2006)

Specters of Collectivism: A Chat betwixt Gregory Sholette and Elena Sorokina (2006)

The Interventionists (2005)

Disciplining the Advanced: The United states versus The Disquisitional Art Ensemble (2005)

Report from Beirut: Days Of Civilization, Days Of Seige (2005)

Periodising Collectivism, with Blake Stimson (2004)

REPOhistory'due south Civil Disturbances NYC: Chronology of a Public Art Project (2004)

Mysteries of the Creative Class, or, I Accept Seen The Enemy and They Is United states of america (2004)

Welcome to the Desert of the Existent Art World: Review of Chin-tao Wu's Privatising Culture: Corporate Fine art Intervention Since the 1980s (2004)

Interventionism and the historical uncanny: or can there be a revolutionary art without the revolution? (2004)

Dark Matter, Activist Art and the Counter-Public Sphere (2003)

Twelve notes on collectivism and dark matter (2003)

Heart of Darkness: a Journey into the Dark Matter of the Art World (2002)

Allegiance, Betrayal, Autonomy: In and Beyond the Post Cold-State of war Fine art Museum (2002)

* THIS ESSAY IS BEING UPDATED, Bank check Dorsum FOR NEW LINK IN THE NEAR FUTURE:  [ A Collectography of PAD/D, Political Art Documentation and Distribution: a 1980's Activist Art and Networking Commonage (2001)]

How To Best Serve the New Global Contemporary Art Matrix (2000)

Some Call It Art: From Imaginary Autonomy to Autonomous Collectivity (2000)

Counting On Your Collective Silence: Notes on Activist Art equally Collaborative Practice (1999)

Apportionment (1999)

Authenticity Squared: REPOhistory CIRCULATION: Beefcake of an Activist, Urban Art Project (1999)

News from Nowhere: Activist Art and Later (1998)

Collectivism Subsequently Modernism: Art and Social Imagination after 1945, Edited past Blake Stimson and Gregory Sholette (1997)

Unnatural Speculations: Nature as an icon of urban resistance on NYC'south Lower East Side 1979-1984 (1997)

muirdenyounithe.blogspot.com

Source: http://www.gregorysholette.com/essays/

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